Archive for the ‘Services Rendered’ Category

Farewell & Thank You…

But it was time.

Jason & I parted ways with Ricky, my manager-producer, who’s really a full time actor and dabbles in reality television, among many other venture, today. As some know, I came to Ricky almost exactly a year ago through my one-time mentor and friend, Paul Castro, who was a key influence for Jason and myself at UCLA. In fact, i’d have to say that I probably wouldn’t have this awesome partnership, if it weren’t for Paul Castro. The legendary 431 writing group came out of that first class and their’s some real talent in that crew.

I came to Ricky through Paul and Boss, which a lot of you know has been parked – with no official deal – at HWY 61 with Academy Award winning director Paul Haggis attached to direct and executive produce. Ricky got us to Haggis, or rather Haggis former Agent and current Manager Larry Becsey, a good guy and Hollywood Vet. I say “got us” in a loose way. I don’t mean to undercut Ricky’s effort – he worked fairly hard for me for most of the past year – but we honestly stumbled into that meeting. It wasn’t toally cultivated. Larry wasn’t a target. He was an afterthought that weekend of first meetings. Neither of us knew exactly who he was. It was a classic friend of a friend of a friend film industry get, and it got us somewhere.

But, in the past year things have, quite frankly stalled. Not terribly, mind you. Boss is still there and as far as I’ve been able to gather in recon on my own before making this decision with Jason, it’s very much alive there – for the moment. That could all change tomorrow when super-lawyer, Dave Feldman, calls Larry to inform him of the changes on my side of the table. Now, per our signed contract, Ricky’s still a part of that deal, as long as it stays with Haggis, because technically he set it up. Actually, I believe Paul and Ricky are both part of Boss. But I have a feeling that it won’t stay with Haggis. Call it an early hunch. And, I hope I’m wrong, but I’ve got a feeling it won’t in the end. This is, sadly enough, all pretty mundane and typical, as far as Hollywood deal making and development/project acquisition politics and jockeying for position. It’s all done in the name of growing a healthy project, but in reality a big chunk of it, really, is all about maintaining control between various, conflicted parties. Crazy, isn’t it? This is one prime example why it’s so difficult to make a film or show, it costs so much money, and their are such bad projects that come from seemingly good source material.

I do love Ricky. He’s a helluva a guy, with only good intentions. Parts of today actually made me a little sad. But I stress a little. I think deep down, that Ricky wanted this, actually. I don’t think he was enjoying playing career builder anymore. Especially once I partnered with Jason. His communication skills took a sharp nosedive in the past two months. There was far too much of a lack in forward momentum and, even, information. I think our concern arose when, as television staffing season began, Ricky became recalcitrant and impossible to talk to about simply getting us jobs on a show as staff writers for next year. Something he should’ve been able to do easily, but – after awhile – became apparent he didn’t grasp the importance of it for Jason & m career going forward, how it would make the conversation around Boss easier (We would be known entities, with a credit to refer back to.) We finally had a meeting with Ricky a month ago. It was a kind of “we-need-to-address-how-we-work-together” meeting. Ricky made Jason and I wait two hours for him from the initial start time, then had a personal friend – not in the business join us for the first half of what was supposed to be a serious business meeting. Somehow through all this, we had a good meeting – after the friend left and we got down to brass tacks. But, I knew something was up when, on the way out, I asked Ricky point blank about whether he was our manager or not. He waves off the question saying, “I’m whatever, Doc, it doesn’t matter. I’m not going to stand in the way of any deal if I don’t get a producer credit.” At that point in my head, I thought, “Hmmm. Actually, it does matter. And I don’t believe that you won’t stand in the way anymore. In fact, I’m concerned that’s exactly what’s happening.” From there, it was a matter of time. Almost 4 weeks later, it’s done.

Though, Ricky – in all likelihood – will barely notice and it won’t effect him at all. He’s doing just fine. It’s a long story and one I’m not thrilled about – but we attempted to have a meeting to discuss this with him – even by phone. We had a time set for a week. We gave him alternate times. We contacted him repeatedly in the days leading up to and the day of the meeting. He never once indicated a conflict, then canceled a half-hour before. Citing an ultrasound appointment for his expecting fiance – which we also just found out about. So we had to do it by email. Something I am not proud of, but for reasons that – if not clear with that behavior – will become clearer as we move forward – had to be done today to properly break the current contract and get on with our careers. We couldn’t afford several weeks of unreturned phone calls and canceled-at-the-last-minute meetings. The truly sad part if that Ricky has not, in the least, responded to either of us.

And yes, it’s unfortunate, but not unusual at all.  This is the second or third manager that Jason has been through. Every single fellow writer I know from UCLA, who’s made inroads professionally, while in school or right after school, as had to deal with this very situation – letting go of that first person who believes in your talent in a professional sense and sets out to make that professional life happen for you, somehow, someway. Unfortunately, most all of them are trying to make some professional life – in a different way than the one they have – happen for themselves. And, unless there’s big success early on, it gets hard to sustain and eventually you find yourself with different needs and different priorities – which is a really, really dangerous way to operate, as a team, in this business.

So there you have it. Don’t fret, though. There’s a lot going on. Boss is still in the mix. Jason and I are really blazing a good, early trail. I think we feel pretty confident we can do well.

Posted on April 5th, 2010 by doc  |  2 Comments »

California Taxes

Just got back from having my taxes done for the first time out here in California. I was referred to this guy, Ray Simms, by my friend Tiffany Antone. If you’re in California and you need your taxes done, you gotta go to Ray. Seriously, if you’re in need, post a comment or email me and I will pass along his info.  Kudos to Tiff for the referral!

I had been looking for a guy for about a year. With school and the confusing education credit, along with starting to work more freelance jobs that sometimes lack proper reporting procedures, as well as the always under reporting UCLA payroll system, I had reached the point where I was only going to cost myself money by doing it with Turbo Tax. Now I’ve got Ray.

He’s the typical semi-retired, older gentleman – real affable and good-natured. He’s a one-man shop, which is perfect to me. I don’t know if it’s all those years working for Mom and Pop bar owners, or what, but I get real skittish with chain outfits that handle things like my car or my taxes – important stuff that I don’t want to eat up more time or money than they have to, in the end. So, instead of H & R Block, who I understand do a good job; I booked an appointment with Ray and trooped down to Marina Del Rey where he spends half his week. Apparently he lives up in Crestline and works up there the other half. I have no idea where that is, but I guess they get snow, because we chatted about that.

That there is the kicker, of course. We chatted. We could converse as to individuals, not necessarily customer and customer service rep (which is what I feel happens no matter what in a Pep Boys or an H & R Block.) Which means I felt like I could ask what must have seemed like redundant questions of Ray and he’d explain them happily, as opposed to feeling the pressure of needing to move me through to get the next fee; which made me feel a whole lot better about the whole process

Two things were so very California about doing Taxes with Ray. The first off is that he’s obviously well-versed in Studio/Industry tax ins and outs. As soon as I said I was a writer, he whipped out a deductions worksheet, put together by him, that itemizes all the film & writer specific deductions that you might not otherwise consider. The second thing was my favorite part about doing taxes with Ray. He works, when in town, off of his boat in the actual Marina in Marina Del Ray. So we sat together there, being rocked back and forth by the Pacific, while he filed my taxes and we chatted about the IRS, Crestline, how he doesn’t get out on the boat that much anymore, and what kind of stuff I like to write (The equivalent in Hollywood of the classic ice breaker, “So, where you from?” or “What school did you go to?”) Thankfully, it was a beautifully sunny day, abou t70 degrees, with calm seas. A perfect day to get your taxes done on a boat.

Posted on March 21st, 2010 by doc  |  3 Comments »